Score analysis
Table of contents
B
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Beethoven – Symphony n.2 Mov.1
Beethoven – Symphony n.4 mov.1
Beethoven – Symphony n.7 mov.1
Beethoven – Leonore Overture n.3
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Berlioz – Symphonie Fantastique: 1st movement
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Brahms: a conductor’s approach to Symphony n.1 ~ The introduction
Brahms: a conductor’s approach to Symphony n.1 ~ The first movement
Bruckner – Symphony n.8, Mov. 4
D
M
Mahler – Symphony n.2 – Movement 1
Mahler – Das Lied von der Erde – Part 1
Mahler – Das Lied von der Erde – Part 2
Mahler – Das Lied von der Erde – Part 3
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Mendelssohn – Italian Symphony – Part 1
Mendelssohn – Italian Symphony – Part 2
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Mozart – Symphony K504 “Prague” – 1st mov.
Mozart – Symphony n.40 K550 – 1st movement
Mozart – Symphony n.40 K550 – Movements 2-3
Mozart – Don Giovanni Ouverture
Mozart – Die Zauberflöte Overture
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R
S
T
Liszt – Faust Symphony
Franz Liszt’s interest in Goethe’s Faust was prompted by an illustrious mediation, that of Hector Berlioz, who dedicated his Damnation de Faust to Listz in 1846. The favor was returned by Liszt who dedicated to Berlioz the Faust Symphony.

Grieg – Holberg Suite
Originally written for piano and transcribed for strings after its premiere, Grieg’s Holberg Suite is an example of 19th-century music containing a recovery of the form and musical style of previous centuries.
![Ravel – Mother Goose Suite (Ma Mère l’Oye) [ANALYSIS]](https://gianmariagriglio.com/wp-content/uploads/2021/04/Ravel-Mother-Goose-Suite.png)
Ravel – Mother Goose Suite (Ma Mère l’Oye) [ANALYSIS]
5 pieces for children turned into one of the most elegant orchestral suites: Ravel’s Mother Goose Suite (Ma mère l’Oye). In this episode, after a bit of introduction, I’ll dive into the first 2 movements: the Pavane of the Sleeping Beauty and Little Tom Thumb.
![Mozart – Die Zauberflöte Overture [analysis]](https://gianmariagriglio.com/wp-content/uploads/2021/03/Mozart-Magic-Flute-Overture-analysis.jpg)
Mozart – Die Zauberflöte Overture [analysis]
A wonder of sonata form mixed with a fugato in a formal perfection of orchestral writing: this is Mozart’s Overture to the Magic Flute
![Dvořák – Serenade for strings [analysis] – PART 2: movements 3, 4, and 5](https://gianmariagriglio.com/wp-content/uploads/2020/09/Dvorak-7-mov-1-analysis.jpg)
Dvořák – Serenade for strings [analysis] – PART 2: movements 3, 4, and 5
A scherzo, the sweetest slow movement, and a brilliant finale.
![Dvořák – Serenade for strings [analysis] – PART 1: movements 1 and 2](https://gianmariagriglio.com/wp-content/uploads/2020/09/Dvorak-7-mov-1-analysis.jpg)
Dvořák – Serenade for strings [analysis] – PART 1: movements 1 and 2
A milestone for every conductor: Dvořák’s Serenade for strings. The first part covers movements 1 and 2

Mozart Symphony n.40 K550 – Movements 2-3
The analysis of the 2nd and 3rd movements of Mozart’s 40th symphony
![Elgar Serenade for strings [analysis]](https://gianmariagriglio.com/wp-content/uploads/2020/11/Edward-Elgar-Serenade-for-strings-analysis.jpg)
Elgar Serenade for strings [analysis]
The joyful naivete of an outdoor evening coupled with the passionate lines preluding to his later works: Elgar’s Serenade for strings
![Conducting Smetana – The Moldau [analysis]](https://gianmariagriglio.com/wp-content/uploads/2020/11/Conducting-Bedrich-Smetana-The-Moldau.jpg)
Conducting Smetana – The Moldau [analysis]
The beauty of the Czech landscape in Smetana’s musical fresco
![Schumann Symphony n.1 “Spring” – 1st mov. [analysis]](https://gianmariagriglio.com/wp-content/uploads/2020/11/Robert-Schumann-Symphony-1-movement-1-analysis.jpg)
Schumann Symphony n.1 “Spring” – 1st mov. [analysis]
A joyful and sparkly outburst of energy, mixed with dark moods and dynamic shifts, topped by an obsessive rhythmic figure: this is Schumann’s 1st symphony “Spring”.
Conducting Pills
A FREE video series with an analysis of structure, phrasing, and, of course, conducting tips of repertoire works: from Mozart to Brahms, from Beethoven to Debussy. A new episode every week!