I don’t really hate Boulez. But I don’t like his music. But I do like what he tried to do. And I want more of it.


I don’t really hate Boulez. But I don’t like his music. But I do like what he tried to do. And I want more of it.

The Tempest saw a strict collaboration between Shakespeare and musician Robert Johnson which gave birth to something unique, getting very close to Opera

432Hz tuning has been abandoned some 60 years ago. But why has 440Hz been favored?
A FREE video series with an analysis of structure, phrasing, and, of course, conducting tips of repertoire works: from Mozart to Brahms, from Beethoven to Debussy. A new episode every week!